Coastline at sunrise

The archive, one frame at a time.

Commissions, personal series, and the frames in between. A running record of what the studio has photographed, straight from the shoot archive.

The collection

Real places, real people, real weather.

Every image here comes from a commission or a personal series, shot on location across Europe and North America since the studio opened. We add to the collection as each job closes, and we credit the assistants who worked it.

If you're a picture editor, a student, or a researcher and you'd like high-resolution access to the archive, the studio replies inside two business days.

VIEW CASE STUDY
Photographer working on location
Field archive

On location, in motion

A rotating selection from the studio archive — campaign frames, editorial commissions, and the set-ups behind both.

Campaign frame on a coast road
Atlas Linen — campaign frame, Lisbon
Loom detail in window light
Mill floor — north window light
Glass tower against evening sky
Holloway Tower — architecture commission
Terminal concourse at dusk
Northgate Terminal at dusk
Crew reviewing frames on location
Scouting the light — the day before
Cloth backlit against glass
Backlit cloth — Marisol lookbook
Civic building entrance in flat light
Cedar Park Civic Centre — interiors
Headland at golden hour
Headland, golden hour — Atlas Linen
Coastline at sunrise
First light — Linden Wharf series
Glasshouse interior in soft light
Smith Park glasshouse — opening week
Lighting set-up on location
Bounce rig on the mill floor
Arena interior before an event
Vantage Arena — before the doors open
Behind the lens

A standing crew, on every commission

Every job runs with the same team — a first assistant, a digital tech, and a producer who has walked the location before the camera arrives. We work through whatever light the day gives us, and we shoot the frames nobody asked for, because those tend to end up in the edit. What we publish here is what we would hang on our own wall.

Assistant setting a light on location
Frequently asked

Gallery & press

  • Can I licence an image for editorial use?

    Yes — for credited editorial use we typically grant non-exclusive rights free of charge, subject to the photographer's approval. Commercial licensing is handled case by case. Contact the studio with the publication, the image, and the intended use.

  • Are motion and drone files available?

    For most recent commissions, yes. We hold the master files and can release stills or short edits under the same conditions as the archive. Lead time is two to four weeks.

  • Can students use these images for coursework?

    Absolutely — and we'd rather you ask than scrape. Email the studio with your institution and the assignment brief, and we'll send a high-resolution selection within a week.

  • Why aren't all commissions shown?

    Some clients hold images under embargo until a launch, and some campaigns never run publicly at all. We respect every embargo, including long after the work has shipped.